Rawal's conviction is OMG's bedrock - but its beauty comes from his dynamics with Krishna (Kumar, channeling a Twilight-like zone of motorbikes, overcoats and chiseled looks), who saves his life, educates him via sacred texts and gently instructs an annoyed housewife yelling Kanji is a nastik to eat her ice-cream before it melts. Rawal is pure pleasure when he naughtily points out, ' Recession mein toh inka dhanda double ho jata hai!', when debating being boiled in oil down in hell, he asks, ' Mein aadmi hoon ya pakora?' or, when he states that such religion - superstition, fear, ignorance - ' insaan ko bebas ya aatankwadi banata hai.' It is far better, he remarks, to donate milk to the hungry than pour it over a shrine - and into a drain, to give to the needy rather than enrich religious commerce working on human weakness and woe via 'exchange offers' with the divine. The trial circles deep philosophy, yet tongues stay firmly in cheek as Kanji tells the outraged swamis, ' Ye mujhe kya Gita sikhayenge - inka IQ room temperature se bhi low hai.' Goons try to kill Kanji - but 'consultant' Krishna Vasudev Yadav saves him via a thrilling motorbike ride - then moves into his house. Facing ruin, Kanji takes God - as represented by 'collection officers', religious leaders Swami Leeladhar (Chakrabarty, super), Siddheshwar (Namdeo, hamming it up to Italian deli-level) and sexy sanyasin Mata Gopi (Poonam Jhawar) - to court demanding compensation. His insurance company refuses to pay, citing an act of God. An earthquake follows, reducing just one shop to rubble - Kanjilal's.

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